Yolkies (2019-pr.)


Put a slightly thinned layer of paint down. While it’s still wet, wipe the paint off with dry cotton rags. Use as many rags as it takes, until they come away only barely smudged. Attempt to freehand a perfect circle with a pencil. After a few days, when the surface has completely dried, repeat the process with a new color. The erasure will nearly cause the circle to disappear, but there will be a ghost to guide the next attempt, which should come out a little better. Continue to repeat these processes until the shape and chroma achieve harmony, or until the work calls for an improvised response (at which point the rule deviates).

My experience is that approaching a procedural system with an open-ended goal is a productive format for meditative optimism.

-September 2019

from top:

Nothing Else Mallards

28 x 22” oil, acrylic, graphite, incised line drawing/ polyester mounted to canvas 2020

Canary Memoir

24 x 20” oil, gesso/ canvas 2020

The Last Judgement of this Morning on my Way to Work

24 x 18” oil/ polyester mounted to canvas 2019

King of Sports

24 x 20” oil, graphite/ polyester mounted to canvas 2019

Win/Lose Definitions

24 x 20” oil, graphite/ polyester mounted to canvas 2019

Business-casual Plumbing Ritual

24 x 20” oil, acrylic/ polyester mounted to canvas 2020

below:

Doom Mirror Marketing Syndrome

24 x 18” oil, graphite/ polyester mounted to canvas 2020

Ya’ll Gotta be Extant

30 x 24” oil, graphite/ polyester mounted to canvas 2019

Cool Kid

24 x 20” oil/ polyester mounted to canvas 2019

Seasons

20 x 16” oil, graphite/ polyester mounted to canvas 2019

Lady, I Done Washed

18 x 14” oil, graphite/ polyester mounted to canvas 2019

This is Today

24 x 20” oil, graphite/ polyester mounted to canvas 2020

Self Portrait as God

24 x 20” oil, graphite/ polyester mounted to canvas 2020